Various Artists "Flipside Vinyl Fanzine Volume 1" USA / UK 1984

Last I checked, a couple of weeks ago, the three Flipside Vinyl Fanzines were not available online (this via my usual source of checking for online availability).  Some blogs had posted them all but the links seem to be down.  It looks like I'll be posting all of them in the coming weeks.

Of the three LPs this is likely the weakest, although it is an excellent time capsule with a few great tracks mixed in.  For those who don't know, there were two major punk zines in the US in the 1980s, which in the era before the internet and when long distance phone calls were still expensive (I sound like an old man!) became the main means of communication in the punkosphere.  One was Flipside, out of the Los Angeles area.  The other was MaximumRocknRoll out of the San Francisco area, which grew out of a college radio program to become the world's central punk resource.

Flipside was the older of the two, had the more "fun" image, was far less political and was more likely to cover music outside of the punk sphere and as time wore on its coverage edged into bands trying to "make it" in L.A, or even bands that had made it years earlier (I recall them covering Twisted Sister and Hawkwind).   It would cover even the odd hair/glam metal band and by the end of the decade had a glossy color cover and took ads from major labels.  MRR was and is the much-maligned heart of hardcore, especially political hardcore.  Always in stark black and white newsprint, it was political and focused on punk and had an editorial line and ad policies actively against music as an industry.  Contrary to popular belief, I think MRR did the best they could to cover many genres of punk-related rock until they got literally too many submissions to review each issue, and had to start drawing a line somewhere.  They would never have considered covering a hair metal band, but for years there were reviews of '60s garage re-releases, neo-surf and neo-garage bands, "crossover" metal and general weirdness like Butthole Surfers on top of the standard thrash and punk.

I was one of many people who read both every chance I could.  They were different but had some overlapping coverage area.  Between the two, reading the MRR reviews and the Flipside "Unclassifieds", you could stay in touch with people from all over the world, buying and trading music, zines etc.  The key was that both were dependable publications which came out like clockwork.  This was no small feat at the time.

The first of the three Flipside Vinyl Fanzines was released in 1984, and for the most part unlike the next two is a straight-ahead punk and hardcore affair.  By this time the novelty of early '80s hardcore speed was wearing a bit thin and within a couple of years the better bands diversified their sounds somewhat.  And that I think makes the next two records from the later '80s better.  All three albums have affixed to the front of each track a short sound sample from each band, who sound like they had a microphone shoved in front of them and were asked on little or no notice to record a message to the kids out there for the album, which ends up being for posterity.  The next two albums feature some experimental playfulness with this concept, leading me to think that people had more notice and were recording something they knew would be a memorable chunk of their bands' legacies.

As best as I can recall only British punk veterans G.B.H. are not Americans.

Side 1

1 The Dickies "Gigantor" (Live Cleveland Agoura)
2 Government Issue "Religious Ripoff"
3 The Freeze "No One Is Ever Coming Home"
4 White Flag "Question of Intelligence"
5 Kraut "Flossing with an E String"
6 F "Attack"
7 Plain Wrap "Meat Between the Treads"
8 Flag of Democracy "Madhouse"
9 TSOL "Suppose They Gave A War ..."
10 Adrenalin O.D. "Me Three Bunch"

Side 2

11 Scream "Fight"
12 The Undead "In '84"
13 FU’s "Warlords" (Live on WERS FM Boston)
14 Black Market Baby "Total Waste"
15 Psycho "Master Race"
16 Gay Cowboys in Bondage "Domestic Battlefield"
17 Borscht "Suburbia"
18 Anti-Scrunti Faction "Big Women"
19 G.B.H. "Give Me Fire" (Live At Perkins Palace, Pasadena)


Flip!

Various Artists "Radio Bond-Age" LP France 1980s

This cool compilation consists almost entirely of French bands of the 1980s.  Although I believe it was released in 1989, much of the material here dates from in some cases as many as 5 or more years earlier as it was meant to promote a number of releases on the Bondage label out of Paris.

It is one of the most impressive packaging jobs I've ever seen on a true indie release, with an elaborate glossy color gatefold cover and informative English language liner notes.  It seems the album was meant to introduce some French acts to an English-speaking audience.  This was one of the records I most had in mind to post when starting the blog.

There's a mix of punk and related genres, steering clear of the hardcore/thrash scene that also existed in Paris at the time.  You have fairly melodic art punk from (relatively) famous bands such as Bérurier Noir and Ludwig von 88, known for their artsy political stage shows, as well as several other inconnus that take things in a number of post-punk directions, ranging from the twisted folk of Les Nonnes Troppo (who dressed as nuns) and Les Endimanches...to the hip hop-inspired sampling of No Vision, a group that apparently grew out of a "graffiti crew."  Expect from the best tracks some combination of demented B-52s, a touch of Cramps and standard melodic '80s punk sounds along with horns, accordion, and a variety of other instruments.  I can pretty much guarantee that everyone will like some of this and very few will like all of it.

The one non-French band on the LP is The Lords of the New Church, a "supergroup" American/British post-punk band composed of former members of The Dead Boys, Sham 69, The Barracudas and a number of other projects, who had at least one release on the Bongade label and were the first non-French band on their roster.

I bought this in a used record store in Philadelphia in about 1989 or so and haven't seen a copy since.

Face A

"Ready Ready Go Punk Rockers" - The Brigades
"Jardin Potager" - Les Endimanches
"Guerriers Balubas" - Ludwig von 88
"Nuit Apache" - Bérurier Noir
"I Love You - Fuck Off" - Lucrate Milk
"Les Voisins du dessus" - Les Satellites
"Pizza Attack" - Washington Dead Cats

Face B

"Hotel du Labrador" - Messageros Killers Boys
"Le Roi de la route" - Les Nonnes Troppo
"Pop SIDA" - Les PPI (Pervers Polymorphes Inorganises)
"Je suis un evade" - Nuclear Device
"Death Penalty" - No Vision
"Real Bad Time" - The Lords of the New Church

Vive le rock!

Sue Saad and The Next "Gimmie Love / Gimmie Pain" b/w "It's Gotcha" USA 1980

Just doing a quick post today so excuse the somewhat blurry photo.  This is an Italian release of a single by a California band.  And, yes, this means yet another single from the 4 for 10 euro stack bought in Rome several weeks back at a used bookstore.

Sue Saad and The Next have a detailed Wikipedia page, which I refer you to for their history.  They released one album and a few singles, none of which charted in the top 100 anywhere.  A career highlight appears to have been their work in the 1980 movie Roadie, both on the soundtrack and in the film.

The sleeve announces in English that this is the Sound of the '80s and then in Italian I believe it says that this is "changing the colors of rock", both of which are overstatements.  The label is Planet Records.

The band has a very New Wave look, a little too polished to be quite punk.  This also describes the music, at least on the A side.  Sue herself has a nice commercial mainstream rock voice and despite a very punk title "Gimmie..." sounds like some mixture of ... let's say... The Knack, Blondie and maybe Heart with a familiar touch of any commercially succesful rock or even country female vocalist the past few decades.  Not bad rock but nothing to get too excited over.

The B side is much faster and more in a punk direction, although the production and performance are too clean for this to be included on any Killed by Death compilation.  Still worth a spin and the main reason that I'm posting this at all.

Gotcha.

Petra Janů & Pro-Rock "Exploduj!" LP - Czechoslovakia 1979

This LP was purchased yesterday at a record show in the Fishtown section of Philadelphia, and has leapfrogged several other records I had in mind to be today's post ... because you need to hear this now!  It's rare when an album meets up to the expectations of cover art and photos this far out there.  Back cover photo posted below.

This is a pretty wild, often punk-intensity, hard-rocking psych-prog release with the odd orchestral and/or synth passage.  I could see it appealing to fans of several genres.  It was a release on the state Supraphon label, which seems to still be in operation in some form.  Lyrics are in Czech; there appears to be a futuristic/space thing going on here but this isn't a language I understand.  Since the '60s and up through the Velvet Revolution, Prague has had a reputation for harboring an avant garde arts scene which has crossed over into popular music and included socially relevant bands such as Plastic People of the Universe.  That makes the presence of this sort of release less surprising coming from that corner of the world.

Ms. Janů, who might have been born Jana Petrů if I'm reading this Czech social networking site's info correctly (it looks like you might be able to contact her directly!) has been active in the Czech music scene since the mid-'70s.  She has a discography here - this appears to be the second album and I'd love to hear the first.  She's been performing the title track from the first album as recently as last year - and in the US!

Note that I'm categorizing records based in the country that existed at the time of their release.  Note also that my track listings are missing some of the diacritical marks over certain letters required by the Czech language.  I figure you either knew what was meant if you can read it or you wouldn't understand it anyway, so I'd save myself a bit of effort.

There's a whole lot going on with this album and in some ways I feel in hearing this as I did upon hearing Os Mutantes (which this does not sound like) for the first time... a bit pleasantly disoriented, amazed that this exists, that it could be this good and this unknown here mostly because of language, cultural (i.e. the refusal of most English speakers to listen to music in other languages), political and probably economic barriers.  Similarly I think the variety of influences is going to make this interesting listening for years to come.

Czech it out.

Doldrums - 4 song 7" EP - USA 1988

The most modern entry on the blog thus far is the first (and possibly rarest?) record put out by the Gainesville, Florida punk label No Idea.  This apparently untitled 7" EP was included in an issue of No Idea zine, which is still around and has an extensive website and huge roster of bands.  I probably bought the zine with this as an inclusion in 1988.

Unfortunately one of the first things listed in tracking down the band via search engine is the premature obituary of guitarist Russ Johnson, who passed in 2010.  He seems to have been a staple in the Gainesville music scene.

"... those who knew and performed with Johnson, or were touched by the music he made in bands in Gainesville's early punk era of the 1980s, will remember him as a nearly unstoppable presence on a scene for which he had undeniable impact.

The guitarist played in a host of groups including Stabilizer, All Star 69 and Dredge but is perhaps best known for playing in Doldrums, a band that played between 1986 and 1988 and were featured on the first, 7-inch EP produced by No Idea Records in the zine that formed the beginnings of the Gainesville record label in the mid-'80s.

“They were the obvious first choice (on which to feature an EP) because they were the band that locally brought everyone together,” said Var Thelin, founder and owner of No Idea Records. “They would bring in punk kids and they were bringing in kids who were leaning more toward metal; they had that fusion of hard- core and hard-rock, especially early on,” Thelin said."

There's no doubt that with the fuller than usual production and metal riffing this will appeal to NWOBHM fans as well as hardcore fans.  That's twice today I've been all excited about researching who the people were behind the music only to find out about a premature death.  It's probably best to just leave off of the posting for the day.

Here.

The Naked - "One Step Forward Towards Reality" 7" EP - UK 1983

At long last, the first truly punk post of the blog.  This EP is on the Bluurg label, which has been continuously putting out punk since 1980, likely making it one of the oldest operating DIY labels on Earth.

If you follow the link to the label above, they have a CD out with what I'm sure is a better quality version of this EP plus four demo tapes of this band.  A few years back I checked out the website and this material was not apparently available in any format.  I'd like to order the CD myself, this sounds like a band that should have been able to record more than one record.

As early '80s punk/hardcore/thrash goes this is relatively melodic/ "musical" stuff.  Bluurg is the label run by Dick Lucas of Subhumans UK/ Culture Shock/ Citizen Fish fame.  That's about as solid a punk pedigree as exists, more than 30 years of DIY dedication and likely more benefit gigs than can be counted.

Lucas seems to have a fixation on fish and the catalog numbers all begin with that word, thus this record is fish 4.  At least it might be; according to the label's included ordering sheet that's the number for a cassette by a band called Organized Chaos; the record's label is marked fish 4 too.

I bought this 7" EP many years ago solely because it was on this label, and generally whatever was on the label displayed more talent and more thoughtfulness than most punk offerings of the '80s had available.  I wish I knew more about the band other than that they were English (County Kent) and on Bluurg, but that's what I've got.  Any additional info is welcome.  Some sources online have this as a 1982 release but the sleeve states these songs were recorded in 1983.

My two favorite tracks are "Smile" and "Alienn", and I have no idea why the latter is spelled that way.

Side A:

One Step Forward
Alienn

Side B:

Frightened
Smile
Evil Faces

Located here.